YOU BELONG WITH ME CHORDS NOTES
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When a guitar player places a capo behind the first fret of their guitar and plays chord shapes from the key of G they are actually producing sounds in the key of Ab.
Sound confusing? Let me explain how this works…
Firstly, it’s important to establish the names of the chords that belong to the key of G; there’s two sets of chords commonly used by songwriters of popular music. The triadic or three note chords and the scaletone seventh or four note chords.
Key of G – triadic version:
Triad 1 = G
Triad 2 = Am
Triad 3 = Bm
Triad 4 = C
Triad 5 = D
Triad 6 = Em
Triad 7 = F#dim
Triad 8 = G
Key of G – scaletone seventh version:
Chord 1 = GMAJ7
Chord 2 = Am7
Chord 3 = Bm7
Chord 4 = CMAJ7
Chord 5 = D7
Chord 6 = Em7
Chord 7 = F#m7b5
Chord 8 = GMAJ7
By placing the capo behind the first fret we raise the pitch of the guitar by a semitone, a semitone higher than G is G# or Ab. G# and Ab are two ways of describing the same pitch and since today’s article is on the key of Ab I’ll refer to the pitch as Ab.
Here’s what happens to our shapes with a capo behind the first fret.
Key of G – triadic version (without the capo):
Triad 1 = G
Triad 2 = Am
Triad 3 = Bm
Triad 4 = C
Triad 5 = D
Triad 6 = Em
Triad 7 = F#dim
Triad 8 = G
becomes…
Key of Ab – triadic version (capo behind first fret):
Triad 1 = Ab
Triad 2 = Bbm
Triad 3 = Cm
Triad 4 = Db
Triad 5 = Eb
Triad 6 = Fm
Triad 7 = Gdim
Triad 8 = Ab
The second set of chords is the correct names of the pitch coming from the guitar, what musicians call the ‘concert pitch’; so although the guitarist is playing the same set of chord shapes both times the capo changes the pitch of the notes and chords of the guitar.
If you are working with or intending to work with instruments other than the guitar it’s vital to understand this process, many guitar players don’t understand how the capo works and you can imagine how difficult it would be to communicate your musical ideas to a piano player if you think you are playing one set of chords and you are actually producing an entirely different sound.
Moving on to the scaletone seventh versions
Key of G – scaletone seventh version (without the capo):
Chord 1 = GMAJ7
Chord 2 = Am7
Chord 3 = Bm7
Chord 4 = CMAJ7
Chord 5 = D7
Chord 6 = Em7
Chord 7 = F#m7b5
Chord 8 = GMAJ7
becomes…
Key of Ab – scaletone seventh version (capo behind first fret):
Chord 1 = AbMAJ7
Chord 2 = Bbm7
Chord 3 = Cm7
Chord 4 = DbMAJ7
Chord 5 = Eb7
Chord 6 = Fm7
Chord 7 = Gm7b5
Chord 8 = AbMAJ7
The best scale to play over these type of chords would be the Ab major pentatonic scale, so let’s say you were playing a ‘Matchbox 20′ song such as ’3 A.M.’ using chord shapes from the key of G with the capo behind the first fret, the ideal choice of scale for fill-ins and improvisation would be the Ab major pentatonic.
Notice I said the Ab major pentatonic not the G major pentatonic because as we now know we would be playing in the key (or pitch) of Ab not G.
The notes in the Ab major pentatonic scale are…
Ab – Bb – C – Eb – F [Ab]
Keynotes indicated as [ ]
Ab Major pentatonic scale pattern
—————————
—————————
—————————
———————-[6]–
————–6—8——–
-[4]–6—8—————-
The same scale one octave higher would be played like this:
—————————–
————————[9]–
—————-8—10——–
–[6]—8—10—————-
—————————–
—————————–
Keep in mind that it’s the names of the notes that make up the scale not the fingering patterns, if you played the notes Ab – Bb – C – Eb – F [Ab] anywhere on the guitar fingerboard you would be playing the Ab major pentatonic scale, try different scale patterns and see which ones work best for you.
Application:
Play these shapes with the capo behind the first fret…
(no capo -open position shapes)
G ///| G ///| G ///| G///|
C ///| C ///| G ///| G ///|
D ///| C ///| G ///| G ///||
and you will be playing these chords…
(capo behind the first fret – concert pitch of Ab)
Ab ///| Ab ///| Ab ///| Ab///|
Db ///| Db ///| Ab ///| Ab ///|
Eb ///| Db ///| Ab ///| Ab ///||
So there you have it, next time you come across a song in the key of Ab don’t drop it and run for the nearest exit, pick up your capo and play easy chord shapes from the key of G and use the Ab
major pentatonic scale for soloing they are a great combination for the key of Ab on the guitar.
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